#Mixbus forum full#
Plugin “pin connection management” provides rich editing of signal-flow through each channel’s path, including full support for dual mono, mono-to-stereo, sidechaining, and other advanced flows.Audio regions are stacked in “layers”, and every region fadein/out is a crossfade to the region(s) beneath it.Extensive export features including multitrack stem export, simultaneous multi-format exports, multiple export ranges, CD track markers, silence trimming, normalization, and command-line arguments to trigger third-party encoders or file-management scripts.Recording operates like a tape machine: Punch-in on the fly, and use per-track input monitoring just like a multitrack tape machine.Support for video timeline, video window, and audio+video exports.Latest generation of Harrison’s “True Analog Mixing™” processing engine with enhanced compressor/limiter algorithms built-in sidechain bussing, and increased plug-in flexibility.Persistent undo (undo remains possible after closing and reopening a session).
#Mixbus forum professional#
Mixbus provides professional features such as Loudness Analysis (dBTP+LUFS+LU Range), LTC (SMPTE) generation and sync video pullup/pulldown.Industry standard plug-in support: Mixbus loads AudioUnit (AU) plug-ins on OSX and VST3, VST and LV2 plug-ins on all platforms.Extensive DAW editing features including “Smart Tool”, Ripple Edit, and configurable keybindings for nearly every operation.Comprehensive “at-a-glance” metering with peak, peak hold, and compressor gain reduction visible on every track and bus.Automatic plug-in delay compensation to support effects such as parallel compression without time misalignment.Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, Stereo Correlation Meter, and Limiter.Mixbus32C has an optimized signal flow with 12 stereo mix buses and a master bus, all featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation simulation.Polarity, Input trim, Sweepable 4-band EQ with second order HP and LP filters, Compression, and 12 mix bus sends on every track.Unlimited MIDI tracks, each with virtual instrument support, unlimited plug-ins, sends and inserts.Unlimited stereo or mono input channels, each with unlimited plug-ins, sends, and hardware inserts.The Mixbus engine is internally dithered, ramped, and gain staged so that sound quality is preserved as close to analog as possible.Precision algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing.Precise emulation based on Harrison’s famous analog console circuit designs.Straightforward “knob per function” mixer layout based on Harrison’s renowned music consoles.It is very basic in the MIDI department and I don't use it when I'm working with MIDI (which is rarely in my case).Īlso, it is pretty CPU-intensive due to the console emulation, and you can't freeze/unfreeze tracks the way you can in Reaper.ĭo a Google search for Admiral Bumblebee's review of Mixbus and you'll get a good overview of what it can and can't do. Comping is pretty primitive, but actually not bad once you get the hang of it. It has a lot of useful tools (e.g., polarity optimization) but is also missing a lot of things I use all the time in Reaper, like spectral editing. Sure the mixer and console emulation are nice, but for me they aren't actually its strongest selling point. A lot of people think of it as a tool only for doing your final mix and getting an "analog" sound, but its editing tools and workflow are brilliant and it's my favorite DAW for editing audio (I've used Reaper, Logic, Sonar, Studio One, and a few others over the years). I use Mixbus even more than Reaper these days.
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